Shakespeare's Venus and Adonis
Touch but my lips with those falr lips of thine,--
Though mine be not so fair, yet are they red,--
The kiss shall be thine own as well as mine:
What seest thou in the ground? hold up thy head:
Look in mine eyeballs, there thy beauty lies;
Then why not lips on lips, since eyes in eyes?
Device | Example | Effect |
---|---|---|
Rhetorical Question | "What seest thou in the ground?", "Then why not lips on lips, since eyes in eyes?" | Venus uses questions not to seek information but to highlight Adonis's actions, challenge his resistance, and guide him towards her desired conclusion, making her argument more dynamic and persuasive. |
Alliteration | "lips with those falr lips", "thy beauty lies", "lips on lips" | The repetition of initial consonant sounds ("l," "th," "b") creates a lyrical, musical quality, enhances the flow of the lines, and emphasizes the linked concepts (lips, beauty, connection). |
Repetition/Parallelism | "lips on lips, since eyes in eyes" | The repetition of key body parts ("lips," "eyes") in a parallel structure emphasizes the desired symmetry of interaction. It creates a sense of logical progression, arguing that if one form of intimacy (eye contact) is possible, another (kissing) should naturally follow. |
Flattery | "those falr lips of thine", "there thy beauty lies" | Venus overtly praises Adonis's beauty, hoping to disarm him, appeal to his vanity, and make him more receptive to her advances. It's a key persuasive tactic. |
Concession / Feigned Humility | "Though mine be not so fair" | By strategically admitting her own lips might be less "fair," Venus appears humble and less demanding, potentially making Adonis more inclined to respond positively or feel less pressured, while still drawing attention to her own qualities. |
Imagery | "red" lips, "eyeballs", "ground" | Vivid sensory details appeal to the reader's imagination, creating a clear picture of the scene and the physical attributes Venus emphasizes (e.g., the vibrancy of her lips). |
Metonymy/Synecdoche | "lips on lips", "eyes in eyes" | Using parts of the body (lips, eyes) to represent the whole person and their intimate interaction. This focuses the reader's attention on the specific points of contact Venus desires and emphasizes the physical aspect of her longing. |
This stanza is a masterful display of Venus's persistent and sophisticated rhetorical skill as she attempts to woo the reluctant Adonis. It marks a critical moment where Venus intensifies her verbal assault, shifting from general declarations of love to specific, targeted pleas for physical intimacy.
The stanza's overall meaning centers on Venus's relentless pursuit of physical connection and her frustration with Adonis's aloofness. She uses a blend of flattery, feigned humility, logical reasoning, and direct commands to break through his youthful indifference or shyness. Her argument progresses from a simple request for a touch to a demand for full eye contact, culminating in the "logical" conclusion that if their eyes can meet, their lips should too. This highlights her passionate and assertive nature, contrasting sharply with Adonis's passive resistance, evident in his looking at the ground.
In the broader context of Venus and Adonis, this stanza is highly significant: