Shakespeare's Venus and Adonis
‘Thus he that overrul’d I oversway’d,
Leading him prisoner in a red-rose chain:
Strong-temper’d steel his stronger strength obey’d,
Yet was he servile to my coy disdain.
O! be not proud, nor brag not of thy might,
For mastering her that foil’d the god of fight.
Device | Example | Effect |
---|---|---|
Allusion | "he that overrul’d," "god of fight" | Refers to Mars, the god of war, immediately establishing the immense power of the figure Venus claims to have subdued, thereby elevating her own prowess and making her claim more impressive. |
Metaphor | "red-rose chain" | Compares love/beauty to a binding chain. It highlights the paradoxical nature of Venus's power: seemingly gentle and beautiful, yet strong enough to subjugate even a god. It symbolizes love's ability to entrap and control. |
Paradox / Irony | "Strong-temper’d steel his stronger strength obey’d, / Yet was he servile to my coy disdain." | Juxtaposes Mars's overwhelming strength and control over the instruments of war with his complete submission to Venus's subtle, non-physical power. This highlights the unexpected and illogical nature of love's dominion over brute force. |
Hyperbole | Venus's account of conquering Mars | Exaggerates Venus's power over the god of war to impress and intimidate Adonis, underscoring the futility of his resistance against her overwhelming allure and will. |
Apostrophe | "O! be not proud, nor brag not of thy might," | A direct address to Adonis, breaking the narrative to deliver a personal warning and command. It makes the persuasion more forceful and immediate, directly challenging Adonis's pride and independence. |
Antithesis | "overrul’d I oversway’d"; "Strong-temper’d steel" vs. "red-rose chain"; "stronger strength" vs. "coy disdain" | Creates stark contrasts between concepts (dominance vs. submission, physical strength vs. alluring subtlety, war vs. love). This emphasizes the surprising and unexpected nature of Venus's power, which operates on a different, more potent level than mere physical might. |
Double Negative | "nor brag not" | Used for emphasis, making the warning against boasting even more forceful and direct. It underscores the urgency and seriousness of Venus's admonition to Adonis. |
Stanza 19 is a masterful rhetorical maneuver by Venus, designed to dismantle Adonis's resistance by establishing her unparalleled power and desirability. She recounts her conquest of Mars, the formidable god of war, as a cautionary tale. This anecdote serves multiple purposes:
Firstly, it vividly illustrates the central theme of the poem: the triumph of love (or lust) over brute strength. By depicting Mars, the embodiment of masculine power and aggression, as a "prisoner" bound by "red-rose chains" and "servile to my coy disdain," Venus demonstrates that her unique form of power — rooted in beauty, allure, and subtle manipulation — can subdue even the most formidable forces. This directly contrasts with Adonis's youthful, untamed strength and his preference for the hunt.
Secondly, the stanza highlights the power of persuasion and rhetoric within the poem. Venus employs flattery (implied by her desire for Adonis), self-aggrandizement, and a thinly veiled threat. She positions herself as an irresistible force, making Adonis's continued refusal seem foolish and futile. Her "coy disdain" signifies that her power is not based on physical force but on a psychological and emotional dominion, making her even more dangerous to Adonis's independence.
Finally, in the broader context of Venus and Adonis, this stanza deepens the characterization of Venus as a relentless and formidable pursuer. It underscores the theme of gender roles and the dynamics of desire, as Venus actively asserts her dominance over a male figure, subverting traditional expectations. Her warning to Adonis — "O! be not proud, nor brag not of thy might, / For mastering her that foil’d the god of fight" — is a direct challenge to his perceived autonomy. It foreshadows the ongoing struggle between Venus's passionate advances and Adonis's chaste rejection, emphasizing that he is up against an ancient, overwhelming force that has already conquered the mightiest of gods. This encounter reveals the inescapable, binding nature of desire for those who fall under its spell, regardless of their own strength or will.