🌹 Stanza 165 - Literary Analysis

Shakespeare's Venus and Adonis


📖 Original Stanza

O hard-believing love! how strange it seems
Not to believe, and yet too credulous;
Thy weal and woe are both of them extremes;
Despair and hope make thee ridiculous:      
The one doth flatter thee in thoughts unlikely,
In likely thoughts the other kills thee quickly.

🔍 Line-by-Line Analysis

Line 1: "O hard-believing love! how strange it seems"


Line 2: "Not to believe, and yet too credulous;"


Line 3: "Thy weal and woe are both of them extremes;"


Line 4: "Despair and hope make thee ridiculous:"


Line 5: "The one doth flatter thee in thoughts unlikely,"


Line 6: "In likely thoughts the other kills thee quickly."

🎭 Literary Devices

Device Example Effect
Paradox/Oxymoron "hard-believing love!"
"Not to believe, and yet too credulous"
Highlights the inherent contradictions and irrationality of love, showing it as both resistant to truth and easily deceived by flattering lies.
Personification "O hard-believing love!"
"Thy weal and woe"
"Despair and hope make thee ridiculous"
"The one doth flatter thee"
"the other kills thee"
Gives human qualities and agency to abstract concepts like "love," "hope," and "despair," allowing the speaker to address them directly and attribute actions and emotional states to them, making the internal conflict more vivid.
Antithesis "Not to believe" vs. "too credulous"
"weal" vs. "woe"
"Despair" vs. "hope"
"unlikely thoughts" vs. "likely thoughts"
"flatter" vs. "kills"
Emphasizes the stark contrasts and extreme oscillations within love's emotional landscape, reinforcing its volatile and unpredictable nature.
Apostrophe "O hard-believing love!" Directly addresses the abstract concept of "love," making the lament more personal and impassioned, as if love itself is an entity capable of hearing and understanding the speaker's frustrations.
Hyperbole "kills thee quickly" Dramatizes the devastating and sudden impact of despair on a lover, exaggerating the emotional pain for rhetorical effect.

🎯 Overall Meaning & Significance in the Context of the Poem

This stanza offers a profound and rather cynical psychological analysis of the nature of love, particularly unrequited or frustrated love, as experienced by Venus. It portrays love not as a noble or purely uplifting force, but as a paradoxical, irrational, and often self-defeating emotion. Venus, consumed by her desire for Adonis, is experiencing these very contradictions: she clings to the slightest hope despite his clear rejection (credulous), yet despairs violently when faced with the reality of his indifference (hard-believing).

The stanza's significance lies in its articulation of: * The Destructive Nature of Unrequited Passion: It vividly describes how love, when unreciprocated, can lead to a tormenting cycle of unrealistic hope and crushing despair, rendering the lover "ridiculous" in their emotional extremes. This mirrors Venus's desperate and increasingly undignified pursuit of Adonis throughout the poem. * The Conflict Between Illusion and Reality: Love is depicted as being perpetually caught between comforting illusions (fed by hope) and brutal realities (delivered by despair). This reflects Venus's struggle to accept Adonis's aversion to love and his preference for the hunt. * The Vulnerability of the Lover: By showing love as "credulous" and easily "flattered" but also "killed quickly," the stanza highlights the profound vulnerability of anyone in its grip, especially when their affections are not returned. Venus's divine power is rendered impotent by her human-like emotions. * Foreboding: The stanza, by portraying love's capacity for destruction and the pain it inflicts, subtly foreshadows the tragic outcome of Venus's pursuit and Adonis's ultimate demise, which is precipitated by his rejection of love and embrace of a violent, solitary pursuit.

Ultimately, this stanza is a lament about love's inherent irrationality, its capacity for self-deception, and the emotional turmoil it inflicts, making it a central piece in the poem's exploration of desire, rejection, and suffering.