Shakespeare's Venus and Adonis
‘What have you urg’d that I cannot reprove?
The path is smooth that leadeth on to danger;
I hate not love, but your device in love
That lends embracements unto every stranger.
You do it for increase: O strange excuse!
When reason is the bawd to lust’s abuse.
Device | Example | Effect |
---|---|---|
Metaphor | "The path is smooth that leadeth on to danger" | Compares Venus's seductive advances and the allure of unchecked passion to a seemingly easy route that nevertheless leads to peril, emphasizing the deceptive nature of her desires from Adonis's perspective. |
Metaphor / Personification | "When reason is the bawd to lust’s abuse." | Personifies "reason" as a "bawd" (pimp), dramatically illustrating Adonis's accusation that Venus's intellect is not used for moral restraint but to facilitate and enable her excessive sexual urges, painting her actions as morally corrupt. |
Rhetorical Question | "What have you urg’d that I cannot reprove?" | Adonis uses this to assert his intellectual and moral superiority, implying that Venus's arguments are weak and easily dismissed, reinforcing his steadfast resistance. |
Sarcasm / Irony | "You do it for increase: O strange excuse!" | Adonis's sarcastic dismissal of a common justification for sex (procreation) highlights the perceived absurdity and disingenuousness of Venus's unbridled passion for him. It underscores his youth's disdain for what he sees as her carnal desires. |
Alliteration | "lends embracements unto every stranger" | The repetition of the 'l' and 's' sounds creates a subtle, flowing rhythm that, ironically, describes the indiscriminate nature of Venus's "embracements," adding to the impression of their widespread, almost fluid, distribution. |
Juxtaposition / Antithesis | "I hate not love, but your device in love" | Clearly distinguishes between the pure concept of "love" and Venus's specific, objectionable method of expressing it, thereby refining Adonis's rejection and showing his youthful idealism regarding love. |
Stanza 132 powerfully articulates Adonis's continued and increasingly sharp rejection of Venus's fervent advances. It marks a critical point where Adonis moves beyond simple bashfulness to outright condemnation of Venus's passionate nature. He frames her pursuit not as love, but as a dangerous, indiscriminate force ("The path is smooth that leadeth on to danger; That lends embracements unto every stranger"). This highlights the poem's central conflict: the clash between untamed, overwhelming desire (Venus) and chaste, principled restraint (Adonis).
Adonis's refusal is rooted in his perception of Venus's "love" as a form of "lust's abuse." He dismisses any potential justification for her actions, such as procreation ("You do it for increase: O strange excuse!"), seeing them as mere pretexts for indulgence. The most scathing line, "When reason is the bawd to lust’s abuse," is a profound indictment. It suggests that Venus, in her passionate pursuit, has perverted her own intellect, transforming it from a tool of discernment and control into an enabler of wanton desire.
This stanza underscores several broader themes in Venus and Adonis: * The Nature of Love vs. Lust: Adonis clearly distinguishes between genuine, pure love (which he does not hate) and Venus's specific, physical "device in love," which he equates with promiscuous lust. This sets up the fundamental opposition between innocent affection and aggressive carnal desire. * Youthful Chastity vs. Experienced Passion: Adonis's arguments emphasize his youthful purity and aversion to the unrestrained passion that Venus embodies. His resistance can be seen as an assertion of self-control and an almost puritanical moral stance against Venus's classical pagan sensuality. * The Dangers of Unchecked Desire: Adonis warns that Venus's path, while seemingly appealing, leads to "danger," implying ruin or moral degradation. This reinforces the idea that excessive passion, if not tempered by reason or virtue, can be destructive. * Gender Roles and Power Dynamics: The stanza also subtly inverts traditional gender roles, with the male (Adonis) being the resistant, chaste object, and the female (Venus) the aggressive, desiring subject. Adonis's cutting words momentarily give him a position of moral authority over the goddess of love, challenging her power.