🌹 Stanza 9 - Literary Analysis

Shakespeare's Venus and Adonis


📖 Original Stanza

He burns with bashful shame; she with her tears
Doth quench the maiden burning of his cheeks;
Then with her windy sighs and golden hairs
To fan and blow them dry again she seeks:  
He saith she is immodest, blames her miss;
What follows more she murders with a kiss.

🔍 Line-by-Line Analysis

Line 1: "He burns with bashful shame; she with her tears"


Line 2: "Doth quench the maiden burning of his cheeks;"


Line 3: "Then with her windy sighs and golden hairs"


Line 4: "To fan and blow them dry again she seeks:"


Line 5: "He saith she is immodest, blames her miss;"


Line 6: "What follows more she murders with a kiss."


🎭 Literary Devices

Device Example Effect
Metaphor "He burns with bashful shame" (Line 1) Compares Adonis's intense blush to fire, emphasizing the heat and visible intensity of his embarrassment.
Metaphor "maiden burning of his cheeks" (Line 2) Extends the fire metaphor, specifically qualifying the blush as "maiden" to signify his youthful innocence and purity, highlighting his unreadiness for sexual experience.
Metaphor "What follows more she murders with a kiss." (Line 6) Compares the act of silencing Adonis with a kiss to a violent killing. This conveys the forceful and suppressive nature of Venus's action, demonstrating her dominance and his helplessness against her advances. It's a dramatic and vivid image of his will being overcome.
Personification "tears / Doth quench" (Lines 1-2) Attributes the human action of "quenching" (putting out a fire) to Venus's tears, making them an active agent in her attempt to control Adonis's emotional state.
Antithesis/Juxtaposition "burns" (Line 1) vs. "quench" (Line 2) and "fan and blow dry" (Line 4) Creates a striking contrast between heat/fire and cold/water, representing the opposing forces of Adonis's shame/purity and Venus's passionate advances. Venus's actions are contradictory (quenching then drying) yet all serve her singular aim of seduction.
Alliteration "burns with bashful" (Line 1) Creates a soft, whispering effect, drawing attention to Adonis's internal state of modesty.
Alliteration "maiden burning" (Line 2) Emphasizes the innocence and youthfulness of Adonis's blush, highlighting his vulnerability.
Alliteration "blames her miss" (Line 5) Gives a crisp, almost spitting sound to Adonis's verbal rejection, underscoring his indignation.
Alliteration "murders with a kiss" (Line 6) The repetition of the 'm' sound adds a sinister and definitive tone to Venus's aggressive act, reinforcing the finality of her suppression of Adonis's voice.
Imagery (Sensory) "golden hairs" (Line 3) Evokes the visual beauty and allure of Venus, reminding the reader of her divine charm and physical appeal which she actively employs in her pursuit.
Oxymoron/Paradox "murders with a kiss" (Line 6) The act of a "kiss," typically associated with love and affection, is here described as "murder." This creates a powerful paradox that underscores the aggressive, violating, and silencing nature of Venus's action, transforming a tender gesture into one of forceful domination.

🎯 Overall Meaning & Significance in the Context of the Poem

This stanza is a pivotal moment in the unfolding drama between Venus and Adonis, intensifying the central conflict of the poem. It vividly illustrates Venus's relentless and multifaceted pursuit of Adonis, and Adonis's increasingly desperate, though ultimately futile, attempts to resist her.

The stanza opens with a striking portrayal of Adonis's profound discomfort, described as "burning with bashful shame." This emphasizes his youth, innocence, and aversion to Venus's overt advances. Venus's immediate response – shedding tears – initially appears to be a display of vulnerability, and indeed, her tears "quench the maiden burning of his cheeks," perhaps momentarily disarming him or cooling his embarrassment. However, her subsequent actions reveal her true intent: she swiftly attempts to "fan and blow them dry again" with her "windy sighs and golden hairs," a rapid shift from appeasement to renewed, sensual pressure. This demonstrates her determined, almost predatory, nature, as she cycles through different tactics to achieve her goal.

The stanza then marks Adonis's first explicit verbal rejection of Venus: "He saith she is immodest, blames her miss." This direct accusation is a significant moment, showing Adonis finally articulating his discomfort and moral disapproval. However, Venus's response is the ultimate act of silencing: "What follows more she murders with a kiss." This powerful line encapsulates Venus's overwhelming dominance and the futility of Adonis's verbal resistance. The "murdering" kiss is not an act of affection, but an act of conquest and suppression, effectively stifling his voice and will.

In the broader context of Venus and Adonis, this stanza reinforces several key themes:

The rapid succession of contrasting actions (blush, tears, quenching, fanning, verbal rejection, silencing kiss) also reflects the chaotic and intense nature of their encounter, emphasizing the almost violent struggle for control and autonomy.