🌹 Stanza 60 - Literary Analysis

Shakespeare's Venus and Adonis


📖 Original Stanza

O! what a war of looks was then between them;
Her eyes petitioners to his eyes suing;     
His eyes saw her eyes as they had not seen them;
Her eyes wood still, his eyes disdaind the wooing:
And all this dumb play had his acts made plain
With tears, which, chorus-like, her eyes did rain.

🔍 Line-by-Line Analysis

Line 1: "O! what a war of looks was then between them;"


Line 2: "Her eyes petitioners to his eyes suing;"


Line 3: "His eyes saw her eyes as they had not seen them;"


Line 4: "Her eyes woo’d still, his eyes disdain’d the wooing:"


Line 5: "And all this dumb play had his acts made plain"


Line 6: "With tears, which, chorus-like, her eyes did rain."


🎭 Literary Devices

Device Example Effect
Metaphor "war of looks" (Line 1) Vividly portrays the intense conflict of wills and desires between Venus and Adonis, setting a confrontational and emotionally charged tone for their silent interaction.
Personification "Her eyes petitioners," "his eyes disdain’d" (Lines 2, 4) Grants agency, emotion, and human actions to the eyes, making them active participants in the drama and emphasizing the non-verbal communication and emotional states of the characters.
Simile "tears, which, chorus-like, her eyes did rain." (Line 6) Elevates Venus's tears from mere physical manifestation to a dramatic commentary, revealing her profound distress and providing insight into the 'silent play' and its emotional impact.
Antithesis "Her eyes woo’d still, his eyes disdain’d the wooing" (Line 4) Sharply contrasts Venus's persistent ardor with Adonis's cold rejection, highlighting the core tension and opposing desires central to their relationship in a concise and impactful manner.
Repetition "Her eyes," "his eyes" (repeated throughout lines 2, 3, 4, 6) Focuses the reader's attention almost exclusively on the eyes as the primary medium of communication and conflict, underscoring the non-verbal nature of their intense interaction.
Hyperbole "her eyes did rain" (Line 6) Emphasizes the overwhelming quantity and intensity of Venus's tears, conveying her extreme sorrow, frustration, and the depth of her emotional pain.

🎯 Overall Meaning & Significance in the Context of the Poem

This stanza is a poignant microcosm of the central conflict and themes that pervade Shakespeare's Venus and Adonis. It precisely captures the essence of unrequited love and the painful dynamic between ardent desire and cold indifference.

The stanza's intense focus on the eyes highlights the power of non-verbal communication. The "war of looks" establishes a silent, yet fierce, battle of wills. Venus's eyes are portrayed as active, pleading, "suing," and desperately "wooing," symbolizing her overwhelming desire and pursuit. Conversely, Adonis's eyes are passive, unseeing, and "disdain’d," embodying his youthful detachment and resolute rejection of her advances. This stark contrast underscores the fundamental incompatibility of their desires.

Significantly, this stanza portrays the mighty goddess Venus in a position of unexpected vulnerability. Despite her divine status and immense power, she is reduced to a "petitioner," her efforts met with scorn, ultimately culminating in tears that "rain" from her eyes. This subversion of typical divine power illustrates love's capacity to humble even the gods, emphasizing that desire cannot be forced or reciprocated by will alone.

The "dumb play" culminating in "chorus-like" tears makes Venus's emotional suffering palpable and publicly visible. The tears act as a commentator on the silent drama, revealing the tragic outcome of Venus's pursuit: the futility of her passionate advances against Adonis's unyielding disinterest. This sets the stage for the escalating emotional intensity and the ultimate tragic resolution of the poem, where love's persuasive power fails in the face of innate aversion, leading to sorrow rather than union. The stanza encapsulates the broader themes of the poem: the nature of desire (Venus's aggressive sexual love vs. Adonis's chaste, self-contained disposition), the pain of unreciprocated affection, and the inherent conflict between passion and reason or youthful innocence.