🌹 Stanza 45 - Literary Analysis

Shakespeare's Venus and Adonis


📖 Original Stanza

Imperiously he leaps, he neighs, he bounds,
And now his woven girths he breaks asunder;
The bearing earth with his hard hoof he wounds,
Whose hollow womb resounds like heaven’s thunder;
The iron bit he crusheth ‘tween his teeth,        
Controlling what he was controlled with.

🔍 Line-by-Line Analysis

Line 1: "Imperiously he leaps, he neighs, he bounds,"


Line 2: "And now his woven girths he breaks asunder;"


Line 3: "The bearing earth with his hard hoof he wounds,"


Line 4: "Whose hollow womb resounds like heaven’s thunder;"


Line 5: "The iron bit he crusheth ‘tween his teeth,"


Line 6: "Controlling what he was controlled with."

🎭 Literary Devices

Device Example Effect
Personification "The bearing earth with his hard hoof he wounds," "Whose hollow womb resounds" Gives human-like qualities (being wounded, having a womb that resounds) to the earth, emphasizing the profound and almost violent impact of the horse's actions. It elevates the horse's power to something that can affect even the fundamental elements of nature.
Simile "Whose hollow womb resounds like heaven’s thunder" Compares the sound of the earth's reverberation to the immense power of thunder, enhancing the sense of awe, power, and overwhelming noise associated with the horse's movements.
Alliteration "hard hoof he wounds," "hollow womb" The repetition of consonant sounds (H) creates a rhythmic effect, making the lines more memorable and emphasizing the force and impact being described.
Hyperbole "wounds" the earth, "crusheth" the iron bit Exaggerates the horse's physical strength and destructive capability beyond realistic limits to convey its immense power and untamed nature.
Imagery "leaps, he neighs, he bounds," "breaks asunder," "hard hoof," "hollow womb," "iron bit" Creates vivid mental pictures and sensory experiences (sight, sound, tactile sensation) of the horse's actions and the objects involved, making its struggle for freedom tangible and dramatic.
Inversion of Power / Antithesis "Controlling what he was controlled with" Dramatically highlights the complete reversal of power dynamics. The object of control (the bit) is now being controlled by its former master (the horse), underscoring the horse's triumph and fierce independence.

🎯 Overall Meaning & Significance in the Context of the Poem

This stanza vividly portrays the unbridled power, wildness, and ultimate independence of Adonis's horse as it spectacularly breaks free from all human control. The horse's actions are described with immense energy and destructive force – shattering its gear, metaphorically wounding the earth, and even crushing the iron bit that once commanded it. The final line, "Controlling what he was controlled with," serves as a powerful summary of this defiant liberation, where the instrument of subjugation is itself subdued.

In the broader context of Venus and Adonis, this magnificent display by the horse functions as a profound parallel and symbolic foreshadowing of Adonis himself. Just as the horse cannot be tamed or confined by artificial restraints and asserts its primal, natural will, so too does Adonis resist Venus's passionate advances and attempts to "control" his affections. His youthful, untamed spirit prioritizes his chaste pursuits (hunting) over Venus's erotic love. The horse's violent rejection of the bit and girths mirrors Adonis's steadfast refusal of Venus's persuasive efforts and the "yoke" of love she wishes to place upon him.

The stanza emphasizes themes of freedom versus constraint, nature versus culture/civilization, and the overwhelming force of innate desire and will. The horse's raw, almost mythical power—capable of making the "earth's womb resound like heaven's thunder"—underscores the idea that some natural forces, like the horse's wildness or Adonis's youth and resistance to love, cannot be easily manipulated or contained. This serves to elevate Adonis's own aloofness and independence, making his eventual tragic end (dying while hunting, not yielding to love) more resonant as a consequence of his untamed nature, which, like the horse's, cannot be constrained.