🌹 Stanza 199 - Literary Analysis

Shakespeare's Venus and Adonis


📖 Original Stanza

Thus weary of the world, away she hies,    
And yokes her silver doves; by whose swift aid
Their mistress, mounted, through the empty skies
In her light chariot quickly is convey'd;  
Holding their course to Paphos, where their queen
Means to immure herself and not be seen.

🔍 Line-by-Line Analysis

Line 1: "Thus weary of the world, away she hies,"

Line 2: "And yokes her silver doves; by whose swift aid"

Line 3: "Their mistress, mounted, through the empty skies"

Line 4: "In her light chariot quickly is convey'd;"

Line 5: "Holding their course to Paphos, where their queen"

Line 6: "Means to immure herself and not be seen."


🎭 Literary Devices

Device Example Effect
Divine Departure Venus returning to divine realm Shows retreat from mortal world after trauma
Sacred Geography "Paphos" as Venus's holy place Returns to mythological origins
Speed Imagery "swift," "quickly," "hies" Emphasizes urgency of escape
Isolation Imagery "empty skies," "not be seen" Shows Venus's complete withdrawal
Color Symbolism "silver doves" Silver suggests purity and divine nature
Self-Imprisonment "immure herself" Venus chooses complete isolation
Divine Transportation Chariot and doves Shows Venus's goddess status
Circular Structure Return to mythological origins Completes journey from divine to mortal and back

🎯 Overall Meaning & Significance in the Context of the Poem

This final stanza shows Venus's complete withdrawal from the mortal world after her traumatic experience with love and loss. She returns to her divine origins but chooses isolation over participation in either mortal or divine affairs.

The Divine Retreat: Venus's departure represents the withdrawal of love's divine presence from the mortal world. After Adonis's death, the goddess of love abandons humanity.

Self-Imposed Exile: Venus doesn't just return to her divine realm—she chooses to "immure herself," suggesting that even divine society is now unbearable to her.

The Empty Universe: The "empty skies" suggest that Venus's departure leaves the universe diminished and lonely, reflecting her own emotional state.

Return to Origins: Paphos was Venus's birthplace where she first emerged from the sea foam. Her return suggests a desire to restart or retreat to her original, uncomplicated divine state.

The Speed of Escape: The emphasis on swiftness ("hies," "swift," "quickly") shows Venus's desperate need to escape the scene of her trauma as rapidly as possible.

Divine Abandonment: Venus's withdrawal means that love itself has become wounded and hidden from the world, explaining why love will henceforth be troubled (as per her curse).

The End of Accessibility: By choosing to be "not seen," Venus removes herself from human access, making love less available and more mysterious.

Circular Completion: The poem ends where Venus began—as a powerful goddess—but she's now traumatized and withdrawn rather than actively pursuing love.

The Light Chariot: Her "light chariot" suggests both physical lightness (speed) and spiritual illumination, but this light is now departing from the world.

Universal Consequences: Venus's personal trauma becomes cosmic—her withdrawal affects all future human love, making her private grief into universal law.

The Final Isolation: Even in her divine realm, Venus chooses complete solitude, suggesting that love itself has become isolated and self-contained rather than connective.

This stanza completes the transformation of Venus from an active, pursuing goddess of love into a withdrawn, traumatized deity whose absence explains the difficulties of human love. The poem ends not with resolution but with divine abandonment, leaving humanity to face love's challenges without divine guidance.