🌹 Stanza 151 - Literary Analysis

Shakespeare's Venus and Adonis


📖 Original Stanza

Whose frothy mouth bepainted all with red,  
Like milk and blood being mingled both together,
A second fear through all her sinews spread,
Which madly hurries her she knows not whither:      
This way she runs, and now she will no further,
But back retires to rate the boar for murther.

🔍 Line-by-Line Analysis

Line 1: "Whose frothy mouth bepainted all with red,"


Line 2: "Like milk and blood being mingled both together,"


Line 3: "A second fear through all her sinews spread,"


Line 4: "Which madly hurries her she knows not whither:"


Line 5: "This way she runs, and now she will no further,"


Line 6: "But back retires to rate the boar for murther."


🎭 Literary Devices

Device Example Effect
Imagery "Whose frothy mouth bepainted all with red" Creates a vivid, gruesome visual of Adonis's wound, shocking the reader and emphasizing the brutality of his death.
Simile "Like milk and blood being mingled both together" Compares the horrific wound to a mixture of purity (milk) and violence (blood), powerfully highlighting the violation of Adonis's innocence and the tragic contrast of life and death.
Personification "to rate the boar for murther" Attributes human malice and responsibility ("murther") to the boar, intensifying Venus's anger and grief by making the animal a deliberate, culpable agent of Adonis's death.
Juxtaposition "This way she runs, and now she will no further, / But back retires to rate the boar" Contrasts Venus's initial panicked, aimless flight with her sudden, resolute return to confront the boar, showing the volatile and powerful nature of her emotional response.
Hyperbole "madly hurries her she knows not whither" Exaggerates the extent of Venus's disorientation and panic, emphasizing the overwhelming nature of her fear and shock.

🎯 Overall Meaning & Significance in the Context of the Poem

This stanza marks a pivotal moment in Venus and Adonis, depicting Venus's immediate, visceral reaction to the tragic death of Adonis. It plunges the reader into the brutal reality of mortality, sharply contrasting with the poem's earlier focus on sensual pursuit and idyllic natural beauty.

The initial lines vividly portray the gruesome details of Adonis's fatal wound, emphasizing the horrific collision of innocence and violence through the "milk and blood" simile. This imagery shatters Venus's illusion of control over love and fate, directly confronting her with the devastating power of death. Her subsequent reaction, a "second fear" that "madly hurries her," reveals the profound shock and grief that overwhelms her, rendering her disoriented and helpless.

However, the stanza then pivots dramatically. Venus's initial flight gives way to a sudden, resolute turning "back retires to rate the boar for murther." This shift is crucial. It signifies Venus's refusal to passively accept the tragedy. Instead, she channels her immense grief and shock into fury and a desperate need for retribution, even if directed irrationally at an animal. This act of "rating the boar" is her initial, raw attempt to confront and assign blame to the force that has destroyed the object of her desire.

In the broader context of the poem, this stanza underscores several key themes: * Mortality vs. Immortality: For an immortal goddess, Adonis's mortal death is a jarring, incomprehensible reality, exposing the limits of her power and the fragility of mortal life. * The Destructive Nature of Unchecked Passion/Love: While Adonis's death is directly due to his passion for hunting, it highlights the destructive potential that exists within the world, a stark counterpoint to Venus's idealized view of love and desire. * Nature's Indifference: The boar, a creature of the wild, symbolizes the untamed, indifferent, and destructive forces of nature that can arbitrarily end beauty and life, directly challenging Venus's attempts to impose her will. * Grief and Transformation: This stanza is the emotional trigger for Venus's subsequent profound grief, lamentation, and ultimately, her act of transforming Adonis into the Anemone flower. Her fury at the boar is the first outward manifestation of her intense internal suffering, setting the stage for the poem's tragic conclusion and Venus's own transformation.