Shakespeare's Venus and Adonis
Venus salutes him with this fair good morrow:
‘O thou clear god, and patron of all light,
From whom each lamp and shining star doth borrow
The beauteous influence that makes him bright,
There lives a son that suck’d an earthly mother,
May lend thee light, as thou dost lend to other’
Device | Example | Effect |
---|---|---|
Apostrophe | "O thou clear god, and patron of all light" | Venus directly addresses Adonis as if he were a deity, elevating him and setting a tone of intense admiration and flattery, which also serves to emphasize her own heightened emotional state. |
Hyperbole | "patron of all light, / From whom each lamp and shining star doth borrow" | Exaggerates Adonis's beauty and influence to an almost divine degree. This extreme flattery is a rhetorical strategy by Venus to disarm Adonis, highlight his perceived self-sufficiency, and prepare him for her subsequent argument that even he might need 'light' (love). |
Metaphor | "light" as love/passion (in "May lend thee light") | The recurring motif of "light" is used both literally (celestial brightness) and metaphorically (love, passion, emotional insight). This creates a sophisticated conceit where Venus argues that just as Adonis is a source of physical light, he might benefit from the emotional "light" of love from Cupid. |
Conceit | The extended comparison of Adonis as the ultimate source of light, from whom even stars borrow, and the idea that Cupid can "lend thee light." | This elaborate and extended metaphor frames Adonis's beauty in celestial terms while subtly introducing the idea of love as a reciprocal form of "light." It showcases Venus's persuasive wit and the poem's exploration of desire and beauty. |
Allusion | "There lives a son that suck’d an earthly mother" | An indirect reference to Cupid, the god of love. This introduces the concept of love into the dialogue without directly naming the powerful figure, softening its immediate impact while setting up Venus's persuasive argument. |
Irony | Venus calling Adonis the "patron of all light" yet asking her son to "lend thee light" | While Venus overtly flatters Adonis's radiant self-sufficiency, there is an underlying irony. Her ultimate goal is to persuade him to accept the 'light' of love, suggesting that even this supreme being might be lacking in that specific emotional aspect, or could benefit from a reciprocal exchange. |
This stanza marks the crucial beginning of Venus's direct and passionate pursuit of Adonis. Having finally found him after his hunt, she initiates her courtship with a highly elaborate and flattering address. She elevates Adonis to a god-like status, declaring him the "patron of all light" from whom even celestial bodies borrow their radiance. This hyperbole serves a dual purpose: it showcases her overwhelming attraction and admiration for his unparalleled beauty, and it acts as a strategic rhetorical device to disarm him and make him receptive to her subsequent proposal.
The significance of the stanza lies in its introduction of the poem's central conflict and themes. Venus's flattery, while seemingly boundless, is a prelude to her subtle argument that even Adonis, the ultimate source of literal "light," might benefit from the metaphorical "light" of love, personified by her son Cupid. The "light" that Cupid can "lend" Adonis signifies passion, desire, and emotional fulfillment. This introduces the core tension between Adonis's youthful disinterest in love (his "chastity" and self-sufficiency) and Venus's ardent desire to initiate him into the world of sensual love.
The stanza thus sets the stage for the dramatic interplay between persuasion and resistance, passion and purity. It highlights Venus's agency and rhetorical skill, even as it underscores the challenge she faces in converting Adonis from a self-contained beauty to a participant in erotic love. The theme of love's reciprocity (the idea of "lending" and "borrowing" light/love) is also subtly introduced, prefiguring the broader poetic exploration of unrequited love and the transformative power (or lack thereof) of desire.