Shakespeare's Venus and Adonis
'As burning fevers, agues pale and faint,
Life-poisoning pestilence and frenzies wood,
The marrow-eating sickness, whose attains
Disorder breeds by heating of the blood;
Surfeits, imposthumes, grief, and damn'd despair,
Swear nature's death for framing thee so fair.
Device | Example | Effect |
---|---|---|
Catalog/List | Extended list of diseases and afflictions | Creates overwhelming sense of all the threats facing beauty |
Personification | Diseases that "swear nature's death" | Makes illnesses into active conspirators against beauty |
Medical Imagery | "marrow-eating," "heating of the blood," "imposthumes" | Uses contemporary medical knowledge to make threats visceral and specific |
Alliteration | "frenzies...fair," "damn'd despair" | Creates musical rhythm even in describing horrible things |
Contrast | Ugly diseases vs. beautiful Adonis | Emphasizes the tragic irony of beauty threatened by ugliness |
Metaphorical Conspiracy | All ailments plotting together | Presents a unified attack on beauty rather than random suffering |
Escalation | From physical to mental to spiritual afflictions | Builds from fever to madness to despair |
Legal Language | "Swear" (make an oath) | Makes the threat formal and binding, like a legal conspiracy |
This stanza continues Venus's cosmic conspiracy theory, presenting a comprehensive catalog of diseases and afflictions that specifically target beauty out of jealousy. She argues that Adonis's perfection has made him the enemy of all forms of suffering and decay.
Medical Catalog as Argument: Venus demonstrates her knowledge of contemporary medicine to make her argument more credible. By listing specific diseases, she makes the threat to Adonis concrete and immediate rather than abstract.
The Conspiracy of Ugliness: All forms of illness and suffering are presented as unified conspirators against beauty. This suggests that Adonis faces not random misfortune but organized opposition.
Beauty as Provocation: Venus argues that Adonis's beauty is so perfect it has provoked Nature's own creations to rebel against her. His beauty is presented as evidence against Nature's ability to create perfection.
Physical vs. Mental Afflictions: The list progresses from physical diseases (fevers, plague) to mental illness (frenzies) to emotional suffering (grief, despair), suggesting beauty is threatened on all levels.
Medieval Medical Theory: The reference to "heating of the blood" reflects medieval medical theory about humors and their balance. Venus uses accepted medical knowledge to support her mythological argument.
The Irony of Creation: Nature's "crime" is making Adonis too beautiful, which has caused all of creation to turn against both her and him. Perfection becomes its own punishment.
Urgency Through Fear: This comprehensive list of threats creates urgencyβwith so many forces aligned against beauty, Adonis should seize pleasure while he can.
Death as Revenge: The diseases don't just want to harm Adonis; they want to kill Nature herself in revenge for creating such perfection. This elevates the stakes to cosmic proportions.
Self-Serving Logic: While Venus presents this as concern for Adonis, it conveniently supports her argument that he should abandon chastity and embrace immediate pleasure with her.
Renaissance Anxiety: This catalog reflects genuine Renaissance fears about disease, especially the plague, while transforming medical anxiety into mythological narrative.
This stanza shows Venus using contemporary medical knowledge and fears to support her cosmic theory about beauty's vulnerability, creating a sophisticated blend of mythology, medicine, and seductive argument.